Zuzanna Czebatul (b. 1986, Poland) lives and works in Berlin. Her practice spans sculpture, tapestry, and architectonic installation, deploying the language of monumental form such as columns, obelisks, sphinxes, only to subject these symbols of power and permanence to deflation, decay, and parody. Working from an openly feminist and queer perspective, Czebatul investigates how political ideology encodes itself in aesthetic form, and how that encoding can be undone.

Solo exhibitions include All the Charm of a Rotting Gum, Dittrich & Schlechtriem, Berlin (2025); The Lunatic Fringe, Sans titre, Paris (2023); and The Happy Deppy Ecstasy Institute, Kunstpalais Erlangen (2021). Group presentations include Power Station of Art, Shanghai (2026); Sadie Coles HQ, London (2026); Paris+ par Art Basel / Sites, Tuileries Garden (2022); and Berlinische Galerie, Berlin (2021). She is the recipient of the Allegro Art Prize (2022) and the Werkstattpreis, Kunststiftung Erich Hauser (2022). Her works are held in the Federal Art Collection of Contemporary Art, Germany and Sammlung Philara, among others. Czebatul graduated from the Städelschule Frankfurt and studied at Hunter College, New York, as a Fulbright Fellow