Paul Hughes Fine Arts
Skip to main content
  • Menu
  • Mediums
  • Artworks
  • Sold Works
  • Exhibitions | Fairs
  • Publications
  • Contact
  • Press
  • About
Menu

Mediums

Open a larger version of the following image in a popup: Chavin Culture, Chavin Ceramic, Circa. 500BC

Chavin Culture 1200 BC-400 BC

Chavin Ceramic, Circa. 500BC
Ceramic
28 x 16 x 16 cm
CHAV0001
Copyright of Paul Hughes Fine Arts
Enquire
%3Cdiv%20class%3D%22artist%22%3EChavin%20Culture%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EChavin%20Ceramic%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3ECirca.%20500BC%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ECeramic%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E28%20x%2016%20x%2016%20cm%3C/div%3E
This vessel with incised feline deity, face, body and hands on one side, curvilinear devices on the reverse. The arts of the Chavin is full of imagery of felines (especially...
Read more

This vessel with incised feline deity, face, body and hands on one side, curvilinear devices on the reverse. The arts of the Chavin is full of imagery of felines (especially jaguars), snakes, and raptors, as well as supernatural beings, often with ferocious-looking fangs. Creatures are often transformational - presented in two states at once - and designed to both confuse and surprise. Images are also very often anatropic - they may be viewed from different directions. Felines of the type depicted on this vessel were important in Chavín art and culture because they were associated with the ruling houses. In nature, such animals are often excellent hunters who occupy the top of the food chain, qualities that were also valued in human rulers. Felines, like jaguars and pumas, were also thought to enjoy great spiritual force; shamans were believed to transform into such creatures.



Chavín ceramic art is known for its complex iconography and its “mythical realism”. There is consistent evidence within all types of art (ceramics, pottery, sculptures, etc.) of human-animal interactions, which was reflective of societal interconnections and how the Chavín people viewed themselves connected with “the other world.”

Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Instagram, opens in a new tab.
Join the mailing list
Send an email
Manage cookies
Copyright © 2025 Paul Hughes Fine Arts
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Signup

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.