


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Nazca Culture 100 BC-800 AD
Complete Feather Tunic, Circa. 100 BC
Camelid fibres with applied feathers
167,5 x 110 cm
65'9" x 43'3" in.
65'9" x 43'3" in.
NAZ0003
Copyright of Paul Hughes Fine Arts
Further images
Of universal appeal and unique beauty, feathers have for thousands of years been used by people in all parts of the Andeans to adorn themselves and to animate their environment....
Of universal appeal and unique beauty, feathers have for thousands of years been used by people in all parts of the Andeans to adorn themselves and to animate their environment. Among traditional societies, garments and other objects embellished with feathers also have great cultural value and are imbued with spiritual energy and supernatural force. From an aesthetic point of view, Andean feathers works speak more eloquently for themselves than a thousand words. It should, however, be pointed out that their sacredness was not a function of their rarity but rather, by association with the Celestial messenger, the Condor —Eagle, the wearer shared the supernatural powers of this divine intercessor, guide of the souls to the mystical realm of light.
Exhibitions
Back to the Future, 40 years of Paul Hughes Fine Arts, Maiden Bradley, 2023Paul Kasmin Gallery, New York. 1995
Hauser & Wirth, Zurich. 1995
Publications
Time Warps, p.99 Hauser & Wirth (1995)1
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