Paul Hughes Fine Arts, Maiden Bradley
17 April - 30 June, 2026
By Appointment Only

"To practice any art, no matter how well or badly, is a way to make your soul grow. So do it.”
Rumi

Paul Hughes Fine Arts presents "Resonating Narratives", an exhibition showcasing the Paul Hughes Collection of Pre-Columbian arts in conjunction with the works of the British-Iranian artist Farhad Ahrarnia. The show presents a fascinating dialogue that transcends the boundaries of time as it spans 3000 of art which also defies geographical location. At its core, this collaborative effort seeks to challenge and transform our understanding of the art historical and archaeological canon of Pre-Columbian Andean arts, highlighting its profound impact on modern art developments in the 20th and 21st centuries. By juxtaposing ancient Andean art works with the contemporary vision of Farhad Ahrarnia, the exhibition aims to create a framework for re-conceptualising the cultural achievements of the ancient Andean civilisation in a manner that resonates with a broader audience today.

Farhad Ahrarnia (b. 1971) is an Iranian-British artist based between Shiraz and Sheffield. His work draws on a wide range of craft techniques and art historical references, including Saqqakhana, Russian Constructivism, Surrealism and various ancient cultures, through which he examines modernity and modernism beyond a purely Western context. Working across embroidery, collage, photography and mixed media, he combines traditional craft with contemporary imagery to question established cultural and historical narratives. Ahrarnia holds a degree in Experimental and Documentary Film Theory and Practice from the Northern Media School, Sheffield Hallam University, UK. His work is held in major collections including the British Museum, Victoria and Albert Museum, LACMA and Mathaf: Arab Museum of Modern Art.

  • Farhad Ahrarnia, Untitled, 2025
    Farhad Ahrarnia
    Untitled, 2025
    Wood, brass, wooden particles, redding
    39 x 39 cm
    15 3/8 x 15 3/8 in
    unframed
    Courtesy of Paul Hughes
  • Huari Culture, Cushma, circa 800 AD
    Huari Culture
    Cushma, circa 800 AD
    Camelid fibres
    234 x 145 cm
    92 1/8 x 57 1/8 in
    on stretcher
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Farhad Ahrarnia, Untitled, 2025
    Farhad Ahrarnia
    Untitled, 2025
    Wood, brass, wooden particles, redding
    54 x 54 cm
    21 1/4 x 21 1/4 in
    unframed
    Courtesy of Paul Hughes
  • Valdivia Culture, Valdivia Owl Figure, circa 2200 BC
    Valdivia Culture
    Valdivia Owl Figure, circa 2200 BC
    Tuff
    34 x 12 cm
    13 3/8 x 4 3/4 in
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Clarke Hutton, Untitled
    Clarke Hutton
    Untitled
    oil on board
    Courtesy of Paul Hughes Fine Arts
  • Farhad Ahrarnia, Untitled, 2025
    Farhad Ahrarnia
    Untitled, 2025
    Wood, brass, wooden particles, redding
    54 x 54 cm
    21 1/4 x 21 1/4 in
    unframed
    Courtesy of Paul Hughes
  • Josef Albers, Formulation: Articulation (Double Portfolio) , 1972
    Josef Albers
    Formulation: Articulation (Double Portfolio) , 1972
    542 of 1000
    Silkscreen
    38.1 x 50.8 cm
    Edition 542 of 1000
    Courtesy of Paul Hughes
  • Farhad Ahrarnia, Untitled, 2025
    Farhad Ahrarnia
    Untitled, 2025
    Wood, brass, wooden particles, redding
    54 x 54 cm
    21 1/4 x 21 1/4 in
    unframed
    Courtesy of Paul Hughes
  • Josef Albers, Formulation: Articulation (Double Portfolio) , 1972
    Josef Albers
    Formulation: Articulation (Double Portfolio) , 1972
    542 of 1000
    Silkscreen
    38.1 x 50.8 cm
    Edition 542 of 1000
    Courtesy of Paul Hughes
  • Valdivia Culture, Valdivia Owl Effigy, circa 2200 BC
    Valdivia Culture
    Valdivia Owl Effigy, circa 2200 BC
    Stone
    23.5 x 11.5 x 2.8 cm
    9 1/4 x 4 1/2 x 1 1/8 in
    Courtesy of Paul Hughes Fine Arts
  • Nazca Culture, Nazca Feather Miniature, circa 500 AD
    Nazca Culture
    Nazca Feather Miniature, circa 500 AD
    Cotton with applied feathers
    46 x 34 cm
    18 1/8 x 13 3/8 in
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Ocucaje Culture, Ocucaje Panel, circa 100 BC
    Ocucaje Culture
    Ocucaje Panel, circa 100 BC
    Camelid fibres.
    71.1 x 73.6 cm
    28 x 29 in
    Courtesy of Paul Hughes Fine Arts
  • Farhad Ahrarnia, Like a Prayer, 2025
    Farhad Ahrarnia
    Like a Prayer, 2025
    Sermeh, imitation pearls and gold threads on Termeh
    90 x 90 cm
    35 3/8 x 35 3/8 in
    unframed
    Courtesy of Paul Hughes
  • Sihuas Culture, Nazca/Sihuas Mantle with Stylised Ocucaje Icon, circa 50 BC
    Sihuas Culture
    Nazca/Sihuas Mantle with Stylised Ocucaje Icon, circa 50 BC
    Camelid fibres
    94 x 95 cm
    37 x 37 3/8 in
    on stretcher
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Chancay Culture, A Chancay standing female figure in a stargazer pose, circa 1100 - 1450 AD
    Chancay Culture
    A Chancay standing female figure in a stargazer pose, circa 1100 - 1450 AD
    Ceramic
    46 x 26.5 x 11.5 cm
    18 1/8 x 10 3/8 x 4 1/2 in
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Farhad Ahrarnia, Like a Prayer, 2025
    Farhad Ahrarnia
    Like a Prayer, 2025
    Sermeh, imitation pearls and gold threads on Termeh
    88 x 70 cm
    34 5/8 x 27 1/2 in
    unframed
    Courtesy of Paul Hughes
  • Huari Culture, Painted Textile, circa 800 AD
    Huari Culture
    Painted Textile, circa 800 AD
    Pigments on cotton
    73 x 121 cm
    28 3/4 x 47 5/8 in
    on stretcher
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Farhad Ahrarnia, Like a Prayer, 2025
    Farhad Ahrarnia
    Like a Prayer, 2025
    Sermeh, imitation pearls and gold threads on Termeh
    88 x 70 cm
    34 5/8 x 27 1/2 in
    unframed
    Courtesy of Paul Hughes
  • Valdivia Culture, Valdivia Limestone Figure, circa 2200 BC
    Valdivia Culture
    Valdivia Limestone Figure, circa 2200 BC
    Stone
    height 19 cm
    height 7 1/2 in
    Courtesy of Paul Hughes Fine Arts
  • Chancay Culture, Mummy Bundle Mask, circa 800 - 1200 AD
    Chancay Culture
    Mummy Bundle Mask, circa 800 - 1200 AD
    Pigment on cotton
    50 x 49 cm
    19 3/4 x 19 1/4 in
    with stretcher
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Chancay Culture, Chancay Painted Textile with Figures and Snakes, circa 1200 AD
    Chancay Culture
    Chancay Painted Textile with Figures and Snakes, circa 1200 AD
    Pigment on cotton
    67 x 215 cm
    26 3/8 x 84 5/8 in
    with stretcher
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Farhad Ahrarnia, Like a Prayer, 2025
    Farhad Ahrarnia
    Like a Prayer, 2025
    Sermeh, imitation pearls and gold threads on Termeh
    77 x 72 cm
    30 1/4 x 28 3/8 in
    unframed
    Courtesy of Paul Hughes
  • Nazca Culture, A Nazca stirrup spout vessel, circa 300 - 600 AD
    Nazca Culture
    A Nazca stirrup spout vessel, circa 300 - 600 AD
    Ceramic
    19 x 11 x 19 cm
    7 1/2 x 4 3/8 x 7 1/2 in
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Chancay Culture, Gauze with 14 Figures, circa 1000 AD
    Chancay Culture
    Gauze with 14 Figures, circa 1000 AD
    Camelid fibres
    85 x 99 cm
    33 1/2 x 39 in
    on stretcher
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Chimu Culture, Painted Panel, circa 1100 AD
    Chimu Culture
    Painted Panel, circa 1100 AD
    Pigments on cotton
    68.6 x 106.7 cm
    27 x 42 in
    on stretcher
    Courtesy of Paul Hughes Fine Arts
  • Nazca Culture, Nazca ceramic, circa 500 AD
    Nazca Culture
    Nazca ceramic, circa 500 AD
    Ceramic
    height 15 cm
    height 5 7/8 in
    Courtesy of Paul Hughes Fine Arts
  • Nazca Culture, Effigy of a weaver, circa 500 AD
    Nazca Culture
    Effigy of a weaver, circa 500 AD
    Ceramic
    height 18 cm
    height 7 1/8 in
    Courtesy of Paul Hughes Fine Arts
    Credit of Paul Hughes Fine Arts
  • Nazca Culture, A Nazca Double Spout Stirrup Vessel, circa 400 - 600 AD
    Nazca Culture
    A Nazca Double Spout Stirrup Vessel, circa 400 - 600 AD
    Ceramic
    16 x 13 x 16 cm
    6 1/4 x 5 1/8 x 6 1/4 in
    Courtesy of Paul Hughes Fine Arts
    credit of Paul Hughes Fine Arts
  • Valdivia Culture, Limestone Cup, circa 2200 BC
    Valdivia Culture
    Limestone Cup, circa 2200 BC
    Limestone
    10 H x 11.5 D cm
    4 H x 4 1/2 D in
    Courtesy of Paul Hughes Fine Arts